I know Santa Claus, which I know sounds like a tall tale ...
I do not remember the moment I learned that the many Santas that we encountered in person or saw on TV were "not real"; the fact that there was no "a-ha" moment leads me to assume that I never bought the story. There is at least one photo of me and my sister in a "portrait with Santa," and I remember the typical session. I knew the fellow was not Santa and I did not feel betrayed by this; I knew it was a guy overheating indoors in a snowsuit. It did not make much sense to me, to be a grown-up wearing a snowsuit indoors, but I did not envy adults the many things that they did, said, claimed, acted as if, and eventually insisted made sense.
The nonsense things of the grown-up world were of no interest to me. From what I could determine, grown-ups were there to tell cover stories to kids to keep us in the dark about vitally important things, like when we were getting presents; beyond that, I thought the only other thing one needed to be a grown-up was a wallet. And I had one of those, so my journey to adulthood was halfway done by age 10. It was a blue nylon wallet with a Velcro close. It was also always empty, or had the same few singles in it for years at a time. ("Empty" also describes my current wallet.)
My desires for Christmas were always selfish. I wanted "stuff" for Christmas, but really I had fun imagining the life I could be living ... if only I could get the things I wanted from the many catalogs we received in the mail. Rarely did I get what I wanted, or convinced myself that I wanted.
I do not know why or how my family received so many giant Christmas catalogs from the various department stores (a dozen or so) that then dominated the retail landscape; perhaps every suburban family received them in the '70s, but I knew my way around the catalogs like a medieval scholar rereading a saint's life.
The holiday catalogs--Sears called its Christmas offering the "Wish Book"--were hundreds of pages long, and at least one of them per year would top 1000 pages. They were printed on thin paper, and weighed many pounds apiece, with pages so saturated with color ink that their smell was unmistakable. I could always sniff out whether the magical books had been taken out and consulted during my day at school. I would search them for any new tell-tale creases in the pages. I never found new creases--never!--in the toy pages.
Some of the books had color codes along the side so one could quickly find one's favorite section. As I got older, I graduated from coveting model cars and not very movable action dolls to desiring electronics. I did not dream of clothes for Christmas, nor did I understand why there were pages devoted to clothes at all--what a waste of space and ink and my time as I tried to find the toy pages (ignoring the helpful color codes on the side).
There is a nostalgia market for copies of these vintage catalogs, as can be seen by my illustrations. A copy of the 1978 Montgomery Ward Christmas catalog sells for just under $20 on eBay. If my parents had held on to every copy of each store catalog we received every Christmas, I would have different parents than the ones I have. The Tolstoyan sized retail books were usually gone from our home shortly after the "order by" date had passed every year.
I went through phases of desire, from action dolls to Matchbox cars to magic kits to a brief fling with fully functioning model trains to video games. (The most "useful" action doll was "Stretch Armstrong," which was the one doll that lived up to its name and moved like the cartoon character. Thus, it was "realistic." A friend had one of these. The least useful was the "bionic man" Steve Austin doll, which was easily broken but thoroughly indestructible. His bionic eye was not a telescope but instead a simple hole drilled through his head with a glass tube inserted. The tube was cloudy with dust within months of receiving the doll. Thus, it was "real." I had that one.)
The pages that I really loved in the catalogs sold the model car tracks. Not the model cars or radio-controlled cars. The tracks. Mind you, any track that I ever actually owned myself was a simple oval, and, left to my own construction, I would somehow have missing segments and unmatched leftover pieces of track. (Later in life, I wrote instruction manuals.) But I desired a multiple-lane highway of a Matchbox track, a complex of exit ramps and traffic circles. Some of the kits even came with stop signs, and I aspired to be the next Robert Moses. Look at this page from a Montgomery Ward catalog, the huge illustrations and dense copy. The track depicted on the bottom right, with its merging lanes and underpass, has me envious all over again.
The one time I played with a radio-controlled car on such a elaborate track at a friend's house, he had it set up on his living room floor, which made little to no sense to me, and the moment he handed me a controller, my car flipped off the track, rolled under a couch, and re-emerged for a split-second just before falling off the landing to the foyer below. (This may explain my lifelong hatred of split-level homes.) We looked at each other in that moment of unmistakable silence that comes just before the equally unmistakable sound of irreversible destruction. I do not remember being invited to his house again.
I wanted the ultimate magic kit, too, and as with anything advertised in the catalogs, the magic kits grew more complex with higher prices. They all included a "magic wand," a wooden dowel painted black, or, in the more expensive kits, painted with a white tip. In all the kits, simple to pricey, the tricks were easy to follow, both for the performer and, unfortunately, his audience. Most of the tricks in magic kits are the basic shell game and some variations--balls and cups--or include a set of pre-marked cards and a dummy set of all aces or jokers.
The lesson in kit after kit, year after year (my parents are patient people) was an easy one that I rejected each time: that real magic is only possible through cheating or hiding the fact you the performer are cutting corners. This seemed like more nonsense from grown-ups, like a fake Santa. As a result, I would lose interest in each magic kit within weeks or months, but I wanted a new kit every single Christmas.
For me, most magic kits emphasize the word "trick" and lose that word "magic," and I think what I wanted out of a magic kit was to learn a trick that would take its performer for a ride as much as it did the audience. I did not want to learn how to perform the tricks; I wanted to perform them. I wanted to be astonished, too.
I believed that such magic existed. And every Christmas, I believed that it would arrive in a cheap cardboard box of tricks with easy-to-lose balls and cups. Somehow I was never disappointed; the magic simply wasn't in this particular box, it may have been in the one next to it on the shelf, I told myself. Maybe next year.
Life's magic exists. And it astonishes its performer and takes him for as much of a ride as it does his audience. The magic may be in the next moment or the one just behind it on the shelf. Because I know Santa Claus. Always did.
* * * *
Happy holidays, all of them, from my family and friends to you and yours.
I do not know why or how my family received so many giant Christmas catalogs from the various department stores (a dozen or so) that then dominated the retail landscape; perhaps every suburban family received them in the '70s, but I knew my way around the catalogs like a medieval scholar rereading a saint's life.
 |
| Did my parents wear pajamas? (Photo from eBay.) |
Some of the books had color codes along the side so one could quickly find one's favorite section. As I got older, I graduated from coveting model cars and not very movable action dolls to desiring electronics. I did not dream of clothes for Christmas, nor did I understand why there were pages devoted to clothes at all--what a waste of space and ink and my time as I tried to find the toy pages (ignoring the helpful color codes on the side).
There is a nostalgia market for copies of these vintage catalogs, as can be seen by my illustrations. A copy of the 1978 Montgomery Ward Christmas catalog sells for just under $20 on eBay. If my parents had held on to every copy of each store catalog we received every Christmas, I would have different parents than the ones I have. The Tolstoyan sized retail books were usually gone from our home shortly after the "order by" date had passed every year.
 |
| A vintage Steve Austin doll. See the hole in the head? And the push-button on his back 'controlled' his bionic left arm, which meant that his left arm was in fact useless. (Photo from eBay.) |
The pages that I really loved in the catalogs sold the model car tracks. Not the model cars or radio-controlled cars. The tracks. Mind you, any track that I ever actually owned myself was a simple oval, and, left to my own construction, I would somehow have missing segments and unmatched leftover pieces of track. (Later in life, I wrote instruction manuals.) But I desired a multiple-lane highway of a Matchbox track, a complex of exit ramps and traffic circles. Some of the kits even came with stop signs, and I aspired to be the next Robert Moses. Look at this page from a Montgomery Ward catalog, the huge illustrations and dense copy. The track depicted on the bottom right, with its merging lanes and underpass, has me envious all over again.
 |
| Dream pages. (Photo from eBay.) |
I wanted the ultimate magic kit, too, and as with anything advertised in the catalogs, the magic kits grew more complex with higher prices. They all included a "magic wand," a wooden dowel painted black, or, in the more expensive kits, painted with a white tip. In all the kits, simple to pricey, the tricks were easy to follow, both for the performer and, unfortunately, his audience. Most of the tricks in magic kits are the basic shell game and some variations--balls and cups--or include a set of pre-marked cards and a dummy set of all aces or jokers.
The lesson in kit after kit, year after year (my parents are patient people) was an easy one that I rejected each time: that real magic is only possible through cheating or hiding the fact you the performer are cutting corners. This seemed like more nonsense from grown-ups, like a fake Santa. As a result, I would lose interest in each magic kit within weeks or months, but I wanted a new kit every single Christmas.
For me, most magic kits emphasize the word "trick" and lose that word "magic," and I think what I wanted out of a magic kit was to learn a trick that would take its performer for a ride as much as it did the audience. I did not want to learn how to perform the tricks; I wanted to perform them. I wanted to be astonished, too.
I believed that such magic existed. And every Christmas, I believed that it would arrive in a cheap cardboard box of tricks with easy-to-lose balls and cups. Somehow I was never disappointed; the magic simply wasn't in this particular box, it may have been in the one next to it on the shelf, I told myself. Maybe next year.
Life's magic exists. And it astonishes its performer and takes him for as much of a ride as it does his audience. The magic may be in the next moment or the one just behind it on the shelf. Because I know Santa Claus. Always did.
* * * *
Happy holidays, all of them, from my family and friends to you and yours.
